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Results tagged “fridaynight”
Sarah in West Philly
We've always wondered what the protocol is for celebrating a holiday weekend if the actual holiday falls squarely in the middle of the week. Should we be celebrating Independence Day this weekend? Or next weekend? Or should we just celebrate both weekends and spend two weekends in a row gorging ourselves on various grilled meats and icy-cold Coronas and margaritas? (This Phillyist votes the latter.)
Spring is when we get busy here in the Ist-A-Verse. Very busy. But, after staying bundled-up indoors all winter, it's nice for us to be out, about, and collecting things to write about for you. Here's a glimpse at what's been keeping your favorite citybloggers busily away from home and out of bed.
Austinist gets arty with an interactive guide to SXSW, loved some local art galleries and a new art exhibit and lamented the possible loss of "Friday Night Lights" production to New Mexico.
The band emerged onto a darkened stage, to a background of computer-provided crickets and wind. From the moment they launched into "A Forest," Nouvelle Vague had the audience. Stripped down to drums, guitar, computer and a pair of singers, the band seemed tiny on the imposingly huge and high stage of the World Café Live. The space seemed divorced entirely from the smoky jostle of the punk clubs and the intimacy of the jazz lounges that were natural habitats of the band’s twin musical inspirations. But even in the cavernous enormity of the venue, the band gave a show impossible to ignore.
By now you’ve probably heard of Nouvelle Vague, the French band covering songs of the English new wave in the loungey style of Brazilian bossanova. They’re on the stereo at your hipster friends’ parties, they’re showing up on every list as one of the best breakout albums of the summer, and most recently, they’re on the soundtrack for a T-Mobile commercial. And now the band is bound for World Café Live, the Philadelphia stop on their American tour.
