In June 2007, we were privileged to attend WXPN's Philly Local Lonely Hearts Club Band, featuring the likes of Jim Boggia, Kuf Knotz, and Andrew Lipke. The show was also our introduction to a young New Jersey-based singer-songwriter with whom we've become mildly obsessed over the past couple years: Matt Duke. It was, and remains today, one of the best shows we've ever been to. And one of the main acts that we have to thank for that night—its house band—has become another favorite of ours in their own right. We're talking, of course, about Fooling April.
Thankfully for us, Fooling April had almost as good of a time paying tribute to Sgt. Pepper as we did watching them do it. So they've decided to give the Beatles tribute thing another go-round on April Fool's Day this year. This time around, it's the Beatles' penultimate (or ultimate, depending on whether you're measuring by recording date or release date) masterpiece, Abbey Road. We're naturally amped up for this show, as is Fooling April. We had a chance to ask the band's frontman, Brian Kenneth, a few questions about what's in store for us Thursday night. So read on, check out the details of the show at the end of this post, and head to World Cafe Live Thursday night as a great local band pays tribute to what may just be, without exaggeration, the perfect album.
A few years ago, you guys helped organize the Philly Local Lonely Hearts Club Band show, in tribute to Sgt. Pepper. Now you'll be celebrating Abbey Road. How did the idea to do these tribute events come about?
Helen Leicht at WXPN championed this whole idea. She wanted to celebrate the 40th anniversary of Sgt. Pepper back in 2007. She first saw us at the Wilmington Flower Show, where we cameo'd "A Day in the Life" during one of our own songs and I think that helped make us a strong candidate for the job. When she asked us to be the house band, we of course jumped at the opportunity. We did about half the album on our own and then accompanied other Philly-local XPN singers on a few more. It was probably the best show we had ever been a part of from top to bottom, and people still ask us about it today. Late last year, we had the idea to do it once again and Abbey Road came up as the natural choice. Five months, 36 arguments, two fist fights, and nine additional musicians later, here we are. By the way, there weren't really any fist fights; we aren't really man enough for that.
The Sgt. Pepper show had some interesting, unexpected interpretations of Beatles' songs. Can we expect any re-imaginings this time around?
The interpretations in '07 were more from bands that are from a different genre. For example, Kuf Knots and the Hustle are a hip-hop group, so it was only natural that they'd juice-up "Good Morning" the way they did. But we are really going all out here to give you a deadly accurate rendition of these songs as they are heard on the original album. Nothing at all against those other great bands—they had to make the music fit into their genre—but we are already somewhat close in sound stylistically to The Beatles. I feel like it's harder to duplicate what the Beatles did rather than just play what comes out at the first practice and call it "our version". So if it's in the record, you're gonna hear it on April 1st—[be it] wind, crickets, Yoko moaning in the background... You get the idea.
Obviously, The Beatles are a huge influence on just about everything that came after them. How would you say they've influenced Fooling April's music?
They are a tremendous influence on us as songwriters. You can hear a lot of their vocal harmony in our music. Also the interplay between piano and guitar I think is something that links us to them. Their songs, at the core, are often a tribute themselves to music of the 20s, 30s, and 40s melodically. George Martin certainly brought that to the table with some of his burlesque-like harpsichord solos and such. "Maxwell's Silver Hammer" is a great example of a song that could have been plucked right out of the 1930s but with a then-modern twist as Paul added the moog synthesizer to the mix. I think we do some of the same [things] with our melodies. They are often reminiscent of an older era with a modern twist.
What songs from Abbey Road are you most excited to play?
I think as a whole one of our favorites to play has to be "She Came in Through the Bathroom Window." It is such a high-energy song with some really tasty guitar leads. "Golden Slumbers" is also going to be a lot of fun with the strings there to emulate the orchestra from the record. The arrangements are truly timeless, and there's no doubt they have held up well over the years.
Sgt. Pepper and Abbey Road are pretty auspicious undertakings. Any chance we'll ever heart Fooling April do Revolver or The Beatles? Or are there any other bands you have or would like to do this kind of tribute to?
We have definitely talked about Revolver, Rubber Soul, Let It Be, and even the White Album. We will have to see how we are feeling after this one to determine if and when we can give it another go. We are definitely going to need a vacation after this one! The only other band I think we would all be unanimous in wanting to tribute would be Led Zeppelin and there's just no way I could sing Robert Plant for an hour. I would have to start smoking Marlboro Reds tomorrow and I'm just not sure I'm up for a new habit.
This show benefits XPN's Musicians on Call. What should fans know about Musicians on Call?
These two Beatles shows were our only opportunities so far to work with Musicians on Call. We are fortunate to have a chapter right here in Philly, so it's close to home. At a distance, I can understand how some folks are skeptical of a non-scientific approach to healing, but if you think about how many times music has changed your mood dramatically, you start to really understand what they are doing. They do some really great work in the community—especially if you believe music has the ability to heal like we do!
Fooling April plays The Beatles' Abbey Road, with The Parsnip Revolt
Thurs., 4/1/10
7:30 p.m. (Doors 6 p.m.), all ages
World Cafe Live, 3025 Walnut St.
Tickets: $12
